One rainy day Mark Webb invited me to visit him in his rambling house in Långedrag. He made me feel very much at home, even though we had never met. Mark is an easy person to feel comfortable with and it was nice to see that he had given some thought to what he wanted to say before I interviewed him. I guess I should have realised that he would want to change some of the interview as we talked about so many things, without much structure. The result is that the bold type is mine and the italics are used for Mark´s story, in his own words.
I started off by asking how he came to be in Sweden and he related an interesting story.
Unlike many expats my decision to move to Sweden was made for personal reasons, a typical cross culture love story. I can still remember the pinnacle point in my life when living in Nice France, I stood behind the Hotel Negresco, in Rue De France and agonised over my choice of either staying in France, moving back to England or moving to Sweden. 3 months later I moved to Sweden with my daughter Amondine.
Mark drove toEnglandin his illegal Mini Cooper S (of course) and made the legal arrangements to move to Sweden.
Unfortunatel,y I missed the boat to Sweden, having mentally managed to interpret 20:00 as 10 o´clock in the evening. I could do those things then, and even overtake the police on the English motorway while driving with zero papers. Me becoming overexcited around road-police was very amusing for Lisbeth. Who ever ever gets nervous in Sweden?, I too wanted to be totally cool.
He had only lived in France for 2 years but found the French mentality easygoing, enjoyable and exciting. Mark moved into Lisbeth´s flat in Paradisgatan (a name promising great things) in Masthugget. She had told him it had a fabulous view over town. Well, it did, but not quite as fabulous as the Med overlooking the Promenad des Anglais.
I moved here on October the 4th 1978, having missed the boat from England , so I had to drive up through Holland ,Germanyand Denmark with Amondine, very romantic but absolutely mad with the home made safety belt I had constructed for Amondine.
I arrived at the German ferry terminal 10:30 and 25 years later on, our office was situated 50 yard saway, so much for my pioneering qualities. However what I lacked in geographical prestige I had certainly achieved on the cultural front. Whether expats or political refugees, or just lovers moving over a border, it´s not so much a physical but psychological journey that we have in common. My starting point, my self identification point, and my guilty conscious point, was a Roman Catholic background, public school, run by Benedictine monks, and a rather conservative expectant background, which in Sweden, for all the expense of the education, has always seemed like a waste of investment. I admit this might not arouse any deep sympathy, and, in a way the starting point is irrelevant, it´s the journey and who we end up as, which becomes our common denominator. And perhaps all that has gone before it, is after all relevant.
Of course cultural integration was not a word we used, integration consisted of learning how it was done in Sweden. And in the beginning, much to the despair of my family in England , who grew tired of “how good it was in Sweden", life in this honeymoon period, was a very good building process. Life was much simpler, with much less socially structured behaviours to follow. There was a so cia l goodness, people were laid back, didn´t get overexcited, they were very good at listening, and I made friends through work.
After a couple of weeks Lisbeth helped me find a cleaning job at Billhäll. We needed the income as Lisbeth was studying. We looked after Amondine at first, but then found a really good “dagmamma" Eileen Jones, who was the first ballet dancer at Storan.
Then came SFI, (Svenska För Invandrare) which was incredible, I got paid to study Swedish!! I also made some very interesting friends from Brazil ,Argentina ,Uruguay , and even Morocco. I learnt how to communicate through a toilet system, great to know if you´re being tortured in a prison camp. I learnt how to eat monkey, maggots, flies and anything else that moved, in the natural history museum in Slottsskogen, courtesy of my friend and personal guide Edwardo Palunmbo.
A very nice lady at Arbetsförmedlingen gave me two jobs, having studied Swedish!! The first one was to look after alcoholics, petty criminals, and one really nasty one, at the Hotel Klippan, yes a hotel, these alcoholics really had it made. I worked in the reception and can still remember “Göteborgs Lasse", the towns most notorious nasty guy, walking back in the middle of the night, with his little black tool bag after a busy night shift. Now I was beginning to learn how Sweden worked.
My Arbetsförmedlingen lady friend, then found me a job at the Göteborg´s Universitet. The norms of working at the university audio visual department were actually not too unlike the norms of the Alcoholic hotel. However I met my first real working friends at the audio visual department, many were VPK (Vänster Partiet Kommunister) orientated, which was very new for me and I learnt a lot more about Swedish culture. They were very good hearted people and they represented my first meeting with Sweden.
In that youthful new period I did make my mark, once by one sitting on the copying machine and accidentally copying my nude posture, onto the most vile green paper. The combined effect was not pretty, in fact I screamed out in horror as the papers fell onto the floor. But, I did become a hero for making people laugh so much that no one could do any work for the rest of the day.
My other little almost-coup, came when I was responsible for cleaning up the Göteborg Universitet symbol, as the original no longer existed, the shield in the middle then got two extra little marks which neatly formed MW, my initials. No one saw the difference, and my graffiti on the Göteborg Universitet symbol would have been a coup, if I had just kept my mouth shut.
Otherwise people working at the university were very confined, boxed in by internal fighting over the annual budgets, internal fighting over peoples power and incompetence, and internal fighting over defining and guarding their own defined positions.
However I did find some exceptional people to work for, one was Professor Brånemark, who discovered that titanium could be accepted by body tissue. So I filmed his first dental operations as he developed the technique.
Then came my entrance into the video branch, partly with an advertising company, called Isakssons, IVP, these people were not like the University people, the work pace was running, and the business idea was to create wealth. It was a bit like diving into the ocean and then learning to swim, having studed film and TV in London, I knew more then they did, or so I thought, and indeed so did they. No one knew about the word culture, no one even used the word. In a way we were very creative, we worked fast, and the personal turn-over looked more like a rev-counter. However amongst some steady information company videos, I did manage to produce one very sexy commercial about South African or Israeli fruit, one or both were politically dodgy at the time. However, the Billhälls customers never got to see my masterpiece that would have surely inspired them, in preference to a much more proper information video. The customer from the local fruit and veg. market fainted when he saw his logo and my up-market sexy English production.
Learning about the communication culture at the same time as one is living it, was not easy. It´s essential within a creative framework to have a basic understanding or a subconscious agreement about, what is a good idea and how to express it. Working at Isakssons became a mess, and I became a personal statistic. Unfortunately I only saw it as total and personal failure.
However by pure stubbornness or personal pride, I decided to continue with video, and actually managed to take over some of Isakssons old customers. Hammargrens were genuinely impressed with my engagement as I expressed my shock one night, at seeing their fireworks. My expression of “Fuck my brown boots" actually caught their imagination and it became a standard introduction phrase.
However having solved one cultural problem by working for myself, I came into another. By working for myself I could solve customers problems and I really liked that. I learnt by doing, when to express an creative idea, and how to solve other peoples ideas. I had a great par tn er with Rolf Malm at CEMK, one of those smarter advertising agencies, which unfortunately came to an end years later. They lost their Lätt & Lagom contract, but also after a large local TV development contract hit the wall and my final verbal expression of “we fucked up" was interpreted as a conflict remark, and not as the positive team building inspirational remark, it was intended to be. It´s amazing what minor cultural expressions can affect.
The real difficulties which I felt affected my chances of building a future within the video branch was not so much my incompatibility with Swedish forms of expression but not being able to form an association with other players in the market. Perhaps one affected the other, being able to socialise around the coffee table was just as important then, as it is now, known to be.
Being able to run around and make company video productions might have deemed one to have some sort of ability to do something else. Unfortunately that´s not how the system works in Sweden, not without a good network. Unlike in France where it is considered unprofessional to make personal recommendations for a job. In Sweden it´s the opposite, 90% of jobs are placed by personal or professional networks. One needs to fit into the mould directly, preferably with a formal education that reflects the needs of the position. But, more than that one needs to have a perfect understanding and harmonising and even liking the Swedish working interaction. This is necessary since the personal interaction in a flat working environment is much more demanding.
In 91/92 the market dropped in Sweden, it really hit the Video branch, and new people wanted to work for free in this so called luxury branch. I studied International marketing at IHM. IHM was a gold mine for creativity. Unfortunately, not a gold mine for getting marketing work at that time in the market, but a great help in order to analyse and create directed communication. So the final solution ended up moving away from video to become a designer, and dig up my old art skills. To start off, I did this mad thing, yes it was mad, in fact my friend and copy writer, managed to spin the argument by demonstrating this madness was in fact proof of my creativeness. Great piece of copy writing!!